The folks at Boston.com came up with their list of 100 essential New England books, and for the first 20 or so it's a pretty solid list. The books either have a significant New England setting or are by authors with strong New England ties. But as the list goes into the other 80 books, we start to get more books that take place outside of New England written by people whose only tie to the region is a college of university where they were a student or are faculty. I'm thinking this is why I've read so few books on the list, even if in reality it's because I prefer books where time travelers give the Aztecs tanks so they can beat Cortez.

Anyway, here's what I've read on this list, with ranking in parentheses:

Make Way for Ducklings (3) - a fitting place for Robert McCloskey's best known work, but his books set in Maine are equally worth exploring.

A Prayer for Owen Meany (5) - this might be my favorite book on the list. It is infinitely better than that crap movie based on it, so don't let the film hold you back from reading this. 

Mountains Beyond Mountains (6) - Tracy Kidder could easily have four or five books on this list, from his '80s tech classic The Soul of a New Machine to the exploration of Northampton in Home Town. This book, which introduces us to Paul Farmer, a doctor whose dedication to improving health care in places as disparate as Haiti and Siberia is richly detailed and inspirational, even when countered with the pages on the red tape and personal intransigence that frustrate Farmer on a regular basis.

Empire Falls (9) - Richard Russo has a gift for writing about broken down people in broken down towns finding some sort of redemption, and this is his best of the bunch.

The Scarlet Letter (19) - Nathaniel Hawthorne's best known work. Read it in high school. Do not feel particularly motivated to read it again, though comparing it to the novelization from the movie version starring Demi Moore could be an entertaining exercise.

The Rascal King (25) - really interesting bio of James Curley. Should be higher.

Cod (29) - one of Mark Kurlansky's books that enumerates the impact of a single thing on society. Salt is better known, but I think this book does a better job thanks to the focus brought on by its comparative brevity.

Mystic River (38) - liked the book and the movie, surprising as reading the book first so often leads to being disappointed in the movie. I do often find the Southie/Dorchester stereotypes grating, but thought the treatment here wasn't too bad.

The Crucible (43) - read it in high school, and was lucky enough to have it taught by someone who worked in relevant local history (living as close to Salem as we did) and didn't soft-pedal the Communist witch hunt subtext. 

The Catcher in the Rye (61) - read it in high school, never quite got the fascination. 

A Civil Action (64) - Jonathan Harr's recounting of a David versus Goliath legal battle in Woburn, where a cancer cluster was blamed on a local industrial site. Exactly the sort of book an impressionable law student with an interest in environmental and health issues would love. And even when that student wound up in a completely different career, it's still a gripping story that shows truth is oftentimes better than Grisham.

Memoirs of a Geisha (68) - this is not a book that I would normally gravitate towards, but between the buzz and its constant appearance on the library shelf, I took a flier on it. I'm glad I did. 

A Walk in the Woods (73) - Bill Bryson's hikes on the Appalachian Trail form the basis of this book, which shows of both his attention to fact and detail and his trademark sense of humor. 

The Da Vinci Code (76) - the only way this book should be on here is if there were only 100 books with a New England connection. And even then I don't think it'd be higher than 98. I get that it was a publishing phenomenon, but if that's the metric that matters we might as well have Michelin give McDonald's three stars.

The Secret History (81) - to paraphrase Roger Ebert, I hated hated hated hated hated this book. As a New Englander, higher ed professional, and classics major, there was not one thing I could identify with in this book about a small group of students and a classics professor at a New England college. I read this for a book group that never actually met, which made it doubly infuriating that I slogged through this for no good reason.

The Handmaid's Tale (87) - I read this somewhat early in my interest in alternative history, and thus read it with that more in mind than the feminist or religious themes. Not that you can avoid them, but I think I spent a decent part of the book not quite seeing the forest for the trees.

Bringing Down the House (88) - the blurb for this list should use "true" rather than true when discussing the story. I can't accept the way Mezrich beats the facts into a shape that best fits his narrative. I think if you can't make a non-fiction story exciting using the facts as they stand, either the story's not that good or the writer's not that good.

The Old Patagonian Express (93) - I like Paul Theroux's travel work, and think this is probably the best choice for this list, as it does actually start in Massachusetts, with Theroux leaving his family home in Medford as the first step of a journey to the edge of the Americas.

The Very Hungry Caterpillar (100) - what can I say, I have a kid.

Not surprisingly, there are other books I've not read whose presence on this list I can't quite accept. I'll tackle some of those next.